Joseph Cornell versus cinema
Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. However, Cornell also pr...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing
2013.
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| Colección: | The WISH List.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b4452612x*spi |
Tabla de Contenidos:
- Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component
- The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect.
- Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths
- Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion
- The Self as Everyday Object; Notes; Filmography; Bibliography; Index.
