Faking, Forging, Counterfeiting Discredited Practices at the Margins of Mimesis
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...
| Otros Autores: | , , , , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
transcript-Verlag
[2018]
|
| Colección: | De Gruyter Open Access ebooks.
Edition Kulturwissenschaft ; 128. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b43338306*spi |
Tabla de Contenidos:
- Frontmatter
- Table of Contents
- Preface / Fischer, Annalisa
- Six Degrees of Separation / Keazor, Henry
- Forgery: The Art of Deception / Bach, Friedrich Teja
- The Artist and the Mountebank / Hylkema, Jacqueline
- Aping the Master / Mühlbacher, Manuel
- Fracture, Facture and the Collecting of Islamic Art / Graves, Margaret S.
- Shape-shifters of Transculturation / Öcal, Tina
- Fake Supreme / Benesch, Klaus
- Reflections on Plagiarism in Jorge Luis Borgesʼs Works / Sannders, Florencia
- "I have chosen to write notes on imaginary books" / Kohlrausch, Laura
- Faked Translations / Schmitz, Yola
- Creating a Cult, Faking Relics / Fenelli, Laura
- Desiring Fakes / Becker, Daniel
- Unmasking the Fake / Niehoff, Simone
- Contributors
- Illustration Credits.
