Performing Southeast Asia Performance, Politics and the Contemporary
Performing Southeast Asia: Performance, Politics and the Contemporary is an important reconsideration of the histories and practices of theatre and performance in a fluid and dynamic region that is also experiencing an overarching politics of complexity, precarity and populist authoritarian tendenci...
Autor Corporativo: | |
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Otros Autores: | , |
Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
Cham :
Springer International Publishing
2020.
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Edición: | 1st ed |
Colección: | Springer eBooks.
Contemporary Performance InterActions ; |
Acceso en línea: | Conectar con la versión electrónica |
Ver en Universidad de Navarra: | https://innopac.unav.es/record=b43253222*spi |
Tabla de Contenidos:
- 1. Politics, Performance, the Contemporary and Southeast Asia; Marcus Cheng Chye Tan and Charlene Rajendran
- 2. 'Yesterday's Dreams, Tomorrow's Promise': Performing a Pan-ASEAN Archipelagic Identity at Age 50; William Peterson and Reagan Romero Maiquez
- 3. 'Pornography Disguised as Art': Bare/d Bodies, Biopolitics and Multicultural Tolerance in Singapore; Marcus Cheng Chye Tan
- 4. ABaling in a Time of BERSIH: Embodying Historical Transcripts as Enactments of Resistance; Charlene Rajendran
- 5. Staging the Banality of Social Evil: Faust and/in Philippine Contemporary Social Politics; Sir Anril Pineda Tiatco
- 6. A Transformative Theatre of Dialogue: The Makhampom Theatre Group's Negotiation of Thailand's Likay (Theatre) State; Richard Barber and Pongjit Saphakhun
- 7. Intervention, Openness and Ownership: Interview with Ong Keng Sen on Festival Dramaturgy; Charlene Rajendran
- 8. Wayang kontemporer: The Politics of Sponsorship and Innovation; Miguel Escobar Varela
- 9. Authenticity and Contemporary Musical Theatre in Thailand; Wankwan Polachan
- 10.Bangsokol: A Requiem for Cambodia-The Politics of Memory and an Aesthetics of Remembrance; Marcus Cheng Chye Tan
- 11. The Wheres and Whys of Southeast Asia: Art and Performance in the Locating of Southeast Asia Today; Farish A. Noor.