A theory of virtual agency for Western art music
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional acti...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press
[2018]
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| Colección: | EBSCO Academic eBook Collection Complete.
Musical meaning and interpretation. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b43159357*spi |
Tabla de Contenidos:
- Prelude: from gesture to virtual agency
- Foundations for a theory of agency
- Virtual environmental forces and gestural energies: actants as agential
- Virtual embodiment: from actants to virtual human agents
- Virtual identity and actorial continuity
- Interlude I: from embodiment to subjectivity
- Staging virtual subjectivity
- Virtual subjectivity and aesthetically warranted emotions
- Staging virtual narrative agency
- Performing agency
- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52
- Interlude II: hearing agency: a complex cognitive task
- Other perspectives on virtual agency
- Postlude.
