The enemy in Italian Renaissance epic images of hostility from Dante to Tasso
In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divina Commedia, Luigi Pulci's Morgante, Ludovico Ari...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Newark :
University of Delaware Press
2019.
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| Colección: | EBSCO Academic eBook Collection Complete.
The early modern exchange. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b42563756*spi |
| Sumario: | In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divina Commedia, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Distributed for the University of Delaware Press. |
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| Descripción Física: | x, 249 p. |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas e índice. |
| ISBN: | 9781644530009 9781644530023 |
