Concentrationary imaginaries tracing totalitarian violence in popular culture

In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the unacknowledged legacy of a totalitarian...

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Detalles Bibliográficos
Otros Autores: Pollock, Griselda, editor (editor), Silverman, Maxim, editor
Formato: Libro electrónico
Idioma:Inglés
Publicado: London ; New York : I.B. Tauris & Co. Ltd 2015.
Colección:EBSCO Academic eBook Collection Complete.
New encounters, art, cultures, concepts.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b4253365x*spi
Descripción
Sumario:In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the unacknowledged legacy of a totalitarian mentality has seeped into the deepest recesses of everyday popular culture. It asks if the concentrationary now infests our cultural imaginary, normalizing what was once considered horrific and exceptional by transforming into entertainment violations of human life. Drawing on the political philosophy of Hannah Arendt and the analyses of violence by Agamben, Virilio, Lacoue-Labarthe and Nancy, it also offers close readings of films by Cavani and Haneke that identify and critically expose such an imaginary and, hence, contest its lingering force.
Descripción Física:xix, 300 p. : il
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas (p. 269-281), filmografía (p. 283) e índice.
ISBN:9780857739087
9780857725448
9781786724434
9781784530440