Hervé Guibert voices of the self
This is the first full-length study to cover the complete texts of Hervé Guibert (1955-1991), offering a thorough documentation of his literary output. The book is guided by Guibert's relation to the novel, a major line of enquiry throughout, as well as his experimentation with voices in parti...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Liverpool :
Liverpool University Press
1999.
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| Colección: | CUP ebooks.
Modern French writers ; 4. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b42059884*spi |
| Sumario: | This is the first full-length study to cover the complete texts of Hervé Guibert (1955-1991), offering a thorough documentation of his literary output. The book is guided by Guibert's relation to the novel, a major line of enquiry throughout, as well as his experimentation with voices in particular. One of Boulé's main contentions is that Guibert arrives at the creation of a new literary genre, the roman faux, with the publication of his best-known work To the Friend who did not save my life. The book ends by considering the works Guibert produced after he was diagnosed as HIV positive, within the parameter of the voices of the self. |
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| Notas: | Title from publisher's bibliographic system (viewed on 11 Aug 2017). |
| Descripción Física: | 1 recurso electrónico (x, 316 p.) |
| Formato: | Forma de acceso: World Wide Web. |
| ISBN: | 9781781386712 |
