Staging creolization women's theater and performance from the French Caribbean
"Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French C...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Charlottesville :
University of Virginia Press
2017.
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| Colección: | EBSCO Academic eBook Collection Complete.
New world studie. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b40554818*spi |
Tabla de Contenidos:
- Introduction
- Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes
- Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes
- Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine
- Diaspora performances at Ubu Repertory Theater in New York
- Recasting the Francophone Caribbean couple at Ubu Repertory Theater
- Coda: creolizing knowledge in U.S. university performances.
