Agnès Varda between film, photography, and art
"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political di...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oakland, California :
University of California Press
[2018]
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| Colección: | EBSCO Academic eBook Collection Complete.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b40550138*spi |
Tabla de Contenidos:
- Reinterpreting Varda: the mother of the new wave reframes its histories
- Complicating neorealism and the new wave: La Pointe Courte
- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur
- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas
- The limits of documentary: identity and urban transformation in daguerreotypes
- Melancholy and merchandise: documenting and displaying widowhood in L'Île Et Elle
- Varda now: autobiography, memory, and retrospective.
