Heroines without Heroes Reconstructing Female and National Identities in European Cinema, 1945-51
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing
2016.
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| Colección: | EBSCO Academic eBook Collection Complete.
Film Studies: Bloomsbury Academic Collections. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b40544011*spi |
Tabla de Contenidos:
- Cover; Half-title; Title; Copyright; Contents; Contributors; Acknowledgements; Dedication; Introduction; Thinking through a period of reconstruction; Structure and methodology; Key issues; Conclusion; Notes; Britain; Chapter One Post-war Choices and Feminine Possibilities; Notes; Filmography; Chapter Two A Place of One's Own} Margaret Lockwood and British Film Stardom in the 1940s; Money, profession/employment and class; Motherhood; Alter egos and split personalities; Conclusion; Filmography; France; Chapter Three Evil Women in the Post-war French Cinema; Introduction; The Resistance cycle.
- Noir realism and misogynyMinority representations; Conclusion; Filmography; Chapter Four From Stardom to Eclipse: Micheline Presle and Post-war French Cinema; Note; Filmography; Chapter Five The Tainted Woman: Simone Signoret, Site of Pathology or Agent of Retribution?; Dédée d'Anvers: agencing desire and retribution; Maneges: the malevolence of desire; Conclusion; Note; Filmography; Germany; Chapter Six Sweeping up the Past: Gender and History in the Post-war German 'Rubble Film'; The rubble film and gender; Masculinity and memory; Women, memory and history; Mourning and gender.
- From rubble film to New German CinemaAcknowledgements; Notes; Filmography 1946-9; Chapter Seven Hildegard Knef: From Rubble Woman to Fallen Woman; Introduction; Biography of an emerging star; Knef's films and their historical reception; Appropriations; Historicizing Knef; Conclusion; Acknowledgements; Notes; Filmography; Italy; Chapter Eight What about Women? Italian Films and Their Concerns; Introduction; The early 1940s; Neo-realism; Conclusion; Filmography; Chapter Nine Woman of Rome: Anna Magnani; Notes; Filmography; Spain.
- Chapter Ten Feminizing the Nation: Women, Subordination and Subversion in Post-Civil War Spanish CinemaIntroduction; Female stars; Folkloric musicals; War and missionary films; Historical epics; Costume drama; Film noir; Conclusion; Notes; Filmography; Chapter Eleven Ana Mariscal: Franco's Disavowed Star; Mariscal's times; Mariscal's voice; Acknowledgements; Note; Filmography; References; Further Reading; Index.
