Early modern color worlds
Many challenges hinder the historical study of early modern color. These essays offer a way forward through the category of 'color worlds'--constituted by practices, concepts and objects--and examine the emergence of the languages and objects used to communicate between them.--
| Otros Autores: | , , , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Leiden :
Brill
[2015]
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| Colección: | EBSCO Academic eBook Collection Complete.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b39287750*spi |
Tabla de Contenidos:
- Notes on Contributors; Introduction: Early Modern Color Worlds; Tawrin Baker, Sven Dupré, Sachiko Kusukawa, Karin Leonhard; Mining for Color: New Blues, Yellows, and Translucent Paint; Barbara H. Berrie; Writing on Pigments in Natural History and Art Technology in Sixteenth-Century Germany and Switzerland; Doris Oltrogge; Ulisse Aldrovandi's Color Sensibility: Natural History, Language and the Lay Color Practices of Renaissance Virtuosi; Valentina Pugliano; Red, White and Black: Colors of Beauty, Tints of Health and Cosmetic Materials in Early Modern English Art Writing.
- Romana SammernPainted Gems. The Color Worlds of Portrait Miniature Painting in Sixteenth- and Seventeenth-Century Britain; Karin Leonhard; Fireworks and Color in the Sixteenth and Seventeenth Centuries; Simon Werrett; "Siben Farben unnd Künsten frey": The Place of Color in Martin Schaffner's Universe Tabletop of 1533; Andrew Morrall; Understandings of Colors: Varieties of Theories in the Color Worlds of the Early Seventeenth Century; Fokko Jan Dijksterhuis; Color and Contingency in Robert Boyle's Works; Tawrin Baker; The Saline Chymistry of Color in Seventeenth-Century English Natural History.
