The Maltese Falcon to Body of Lies spies, noirs, and trust
"Film noir is by definition dark, but not, this book argues, desperate. Characters in noir movies repeatedly implore one another, 'Trust me!' Although trust may not save the characters, it is often a horizon of hope. Examining twenty-eight great noir films from the first noir, The Mal...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Albuquerque :
University of New Mexico Press
2015.
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| Colección: | EBSCO Academic eBook Collection Complete.
Recencies series: research and recovery in twentieth-century American poetics. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b39271158*spi |
| Sumario: | "Film noir is by definition dark, but not, this book argues, desperate. Characters in noir movies repeatedly implore one another, 'Trust me!' Although trust may not save the characters, it is often a horizon of hope. Examining twenty-eight great noir films from the first noir, The Maltese Falcon (1941), and other early examples such as The Big Sleep and Out of the Past, to such twenty-first century spy films as The Good Shepherd, Syriana, and The Bourne Ultimatus, this philosophical study sets out what audiences may understand about the representations of trust and commitment that noirs and spies propose. Recent films about international intrigue, the author posits, depict what happens when individuals give their primary allegiance to the state, and the moral consequences of that position are a major subject of this thought-provoking book."--Back cover. |
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| Descripción Física: | 1 recurso electrónico |
| Formato: | Forma de acceso: World Wide Web. |
| Bibliografía: | Incluye referencias bibliográficas e índice. |
| ISBN: | 9780826351623 |
