The use and abuse of cinema German legacies from the Weimar era to the present
Eric Rentschler explores the screen fantasies and spectacles that derive from Germany's fraught modern experience and follows the traces of these sights and sounds to the postmillenial present. Each chapters contains a stirring minidrama, discussing prominent critics and theorists such as Siegf...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press
2015.
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| Colección: | EBSCO Academic eBook Collection Complete.
Film and culture. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b39259948*spi |
Tabla de Contenidos:
- Table of Contents; Introduction: History Lessons and Courses in Time; Part I. Critical Venues; 1. How a Social Critic Became a Formative Theorist; 2. Hunger for Experience, Spectatorship, and the Seventies; 3. The Passenger and the Critical Critic; 4. The Limits of Aesthetic Resistance; 5. Springtime for Ufa; Part II. Serials and Cycles; 6. Mountains and Modernity; 7. Too Lovely to Be True; 8. The Management of Shattered Identity; 9. After the War, Before the Wall; Part III. From Oberhausen to Bitburg; 10. Remembering Not to Forget; 11. Many Ways to Fight a Battle; 12. How American Is It?
- 13. The Use and Abuse of Memory14. A Cinema of Citation; 15. The Declaration of Independents; Part IV. Postwall Projects; 16. An Archaeology of the Berlin School; 17. The Surveillance Camera's Quarry; 18. Heritages and Histories; 19. Life in the Shadows; 20. Two Trips to the Berlinale; Acknowledgments; Notes; Index.
