Western music and its others difference, representation, and appropriation in music
This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how mus...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press
2000.
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| Colección: | EBSCO Academic eBook Collection Complete.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b38487639*spi |
Tabla de Contenidos:
- Introduction: on difference, representation, and appropriation in music / David Hesmondhalgh and Georgina Born
- Musical belongings: western music and its low-other / Richard Middleton
- Race, Orientalism, and distinction in the wake of the "yellow peril" / Jann Pasler
- Bartók, the Gypsies, and hybridity in music / Julie Brown
- Modernism, deception, and musical others: Los Angeles circa 1940 / Peter Franklin
- Experimental Oriental: new music and other others / John Corbett
- Composing the cantorate: westernizing Europe's other within / Philip V. Bohlman
- East, west, and arabesk / Martin Stokes
- Scoring the Indian: music in the liberal western / Claudia Gorbman
- The poetics and politics of Pygmy pop / Steven Feld
- International times: fusions, exoticism, and antiracism in electronic dance music / David Hesmondhalgh
- The discourse of world music / Simon Frith.
