Opera and society in Italy and France from Monteverdi to Bourdieu

Detalles Bibliográficos
Autor Corporativo: Social Science Research Council (U.S.) (-)
Otros Autores: Johnson, Victoria, 1969- (-), Fulcher, Jane F., Ertman, Thomas
Formato: Libro electrónico
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press 2007.
Colección:EBSCO Academic eBook Collection Complete.
Cambridge studies in opera.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b38388625*spi
Tabla de Contenidos:
  • Venice's mythic empires : truth and verisimilitude in Venetian opera / Wendy Heller
  • Lully's on-stage societies / Rebecca Harris-Warrick
  • Representations of "le peuple" in French opera, 1673-1764 / Catherine Kintzler
  • Woman's roles in Meyerbeer's operas : how Italian heroines are reflected in French grand opera / Naomi André
  • The effect of a bomb in the hall : the French "opera of ideas" and its cutural role in the 1920s / Jane F. Fulcher
  • State and market, production and style : an interdisciplinary approach to eighteenth-century Italian opera history / Franco Piperno
  • Opera and the cultural authority of the capital city / William Weber
  • "Edizioni distrutte" and the significance of operatic choruses during the Risorgimento / Philip Gossett
  • Opera in France, 1870-1914 : between nationalism and foreign imports / Christophe Charle
  • Fascism and the operatic unconscious / Michael P. Steinberg and Suzanne Stewart-Steinberg
  • On opera and society (assuming a relationship) / Herbert Lindenberger
  • Symbolic domination and contestation in French music : shifting the paradigm from Adorno to Bourdieu / Jane F. Fulcher
  • Rewriting history from the losers' point of view : French grand opera and modernity / Antoine Hennion
  • Conclusion : towards a new understanding of the history of opera? / Thomas Ertman.