The illustrated slave empathy, graphic narrative, and the visual culture of the transatlantic abolition movement, 1800-1852
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Athens, Georgia :
The University of Georgia Press
[2017]
|
| Colección: | EBSCO Academic eBook Collection Complete.
|
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b38224963*spi |
Tabla de Contenidos:
- Visualizing slavery and slave torture
- Precursors: picturing the story of slavery in broadsides, pamphlets, and early illustrated graphic works about slavery, 1793-1812
- "These loathsome pictures shall be published": reconfigurations of the optical regime of transatlantic slavery in Amelia Opie's The black man's lament (1826) and George Bourne's Picture of slavery in the United States of America (1834)
- Entering and exiting the sensorium of slave torture: a narrative of the adventures and escape of Moses Roper, from American slavery (1837, 1838) and the visual culture of the slave's body in the transatlantic abolition movement
- Structuring a new abolitionist reading of masculinity and femininity: the graphic narrative systems of Lydia Maria Child's Joanna (1838) and Henry Bibb's Narrative of the life and adventures of Henry Bibb, an American slave, written by himself (1849)
- After Tom: illustrated books, panoramas, and the staging of the African American enslaved body in Uncle Tom's cabin (1852) and the performance work of Henry Box Brown (1849-1875)
- The end of empathy, or slavery revisited via twentieth- and twenty-first-century artworks
- Hierarchical and parallel empathy.
