Politics, performance and popular culture theatre and society in nineteenth-century Britain
| Otros Autores: | , , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press
2016.
|
| Colección: | EBSCO Academic eBook Collection Complete.
Studies in popular culture. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b38208374*spi |
Tabla de Contenidos:
- I. Conceptualising performance, theorising politics
- 1. T̀o the last drop of my blood': melodrama and politics in late Georgian England / Robert Poole
- 2. platform and the stage: the primary aesthetics of Chartism / Mike Sanders
- 3. Bubbles of the day: the melodramatic and the pantomimic / Katherine Newey
- 4. Theatrical hierarchy, cultural capital and the legitimate/illegitimate divide / Caroline Radcliffe
- 5. Performance for imagined communities: Gladstone, the national theatre and contested didactics of the stage / Anselm Heinrich
- 6. Women's suffrage and theatricality / Sos Eltis
- II. Politics in performance
- 7. English pantomime and the Irish Question / Jill A. Sullivan
- 8. Èxecuted with remarkable care and artistic feeling': popular imperialism and the music hall ballet / Peter Yeandle
- 9. Drury Lane imperialism / Jeffrey Richards
- III. performance of politics
- 10. L̀ove, bitter wrong, freedom, sad pity, and lust of power': politics and performance in 1820 / Malcolm Chase
- 11. Sir Robert Peel as actor-dramatist / Richard Gaunt
- 12. performance of protest: the 1889 dock strike on and off the stage / Janice Norwood.
