Fassbinder's Germany history, identity, subject
Pioneering study exploring a major filmmaker's creative vision of Germany's troubled national identity.
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press
cop. 1996.
|
| Colección: | JSTOR Open Access monographs.
Film culture in transition. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b38158589*spi |
Tabla de Contenidos:
- Machine generated contents note: Introduction: A Work Upstaged by Life?
- 1. Fassbinder Representing Germany
- 2. From Vicious Circles to Double Binds: Impossible Demands in the Field of Vision
- 3. Murder, Merger, Suicide: The Politics of Despair
- 4. BRD Trilogy, or: History, The Love Story? The Marriage of Maria Braun, Lola and Veronika Voss
- 5. Fassbinder, Reflections of Fascism and the European Cinema
- 6. ... wie einst? / Lili Marleen
- 7. Frankfurt, Germans and Jews: The City, Garbage and Death
- 8. Beyond 'Schuld' and 'Schulden': In a Year of Thirteen Moons
- 9. Franz Biberkopf's/ex-changes: Berlin Alexanderplatz
- 10. Historicising the Subject: A Body of Work
- Appendix 1 Commented Filmography: The House That Rainer Built
- Appendix 2 Fassbinder's Germany 1945-1982: A Chronology.
