Setting the stage what we do, how we do it, and why
The life and work of a stage designer who worked with Kazan and Balanchine.
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Middletown, Connecticut :
Wesleyan University Press
2017.
|
| Colección: | EBSCO Academic eBook Collection Complete.
|
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b37530161*spi |
Tabla de Contenidos:
- Cover; Setting the Stage; Title; Copyright; CONTENTS; Acknowledgments; 1 Read This; 2 Starting Out; 3 Long Day's Journey into O'Neill; 4 Getting the Idea; 5 London, the Glorious City; 6 Yale and Green Mansions; 7 Boston Again, and Tanglewood; 8 Painting Lessons from a Virtuoso; 9 New York; 10 Broadway Briefly; 11 The Exploding Chicken; 12 Sir Tyrone; 13 The Light That Failed; 14 "Gadg" and Getting Fired; 15 Designing for Garson Kanin, and What It's All About; 16 The Pipe in the Drawer; 17 Maureen and More; 18 Good Things and Not-So-Good Things; 19 HUGHIE, and Strange Behavior.
- 20 Two Designers and Survival21 One Night Only; 22 Repertory, Classics, a Falling Out; 23 Too Much Control; 24 Musical Disaster and Success; 25 More Musicals and a Fantastic Preview; 26 We Knew Famous People; 27 Concrete at Last; 28 Opera Tales; 29 My Sad Ending with José; 30 Conceiving a Production; 31 Violetta and the Parade; 32 First Steps into Another World; 33 More Ballet; 34 The Grand Kabuki; 35 Japan Again; 36 Turntables and Puppets; 37 Mr. B; 38 Finale; 39 Encore; Index.
