Hollow men writing, objects, and public image in Renaissance Italy
"Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circu...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press
2013.
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| Edición: | 1st ed |
| Colección: | EBSCO Academic eBook Collection Complete.
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| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b37517478*spi |
Tabla de Contenidos:
- Part I Monuments, Imitation, and the Noble Ideal in Early Renaissance Italy
- Introduction Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina
- How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity
- From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina
- Part II Print Monuments, Exposure, and Strategies of Concealment
- Banishing the Hollow Man: Print, Clothing, and Aretino's Emblems of Truth
- Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books
- Silenus Strategies: The Failure of Personal Emblems.
