Invented lives, imagined communities the biopic and American national identity
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press
[2016]
|
| Colección: | EBSCO Academic eBook Collection Complete.
SUNY series. Horizons of cinema. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b37342186*spi |
Tabla de Contenidos:
- Introduction: Strategic patriotic memories / William H. Epstein
- Empty words: Houdini and Houdini / Murray Pomerance
- Woody Guthrie, warts and all: the biopic in the new American cinema of the 1970s / Dennis Bingham
- "Weird Andy Hardy": Ed Wood and American national identity / Constantine Verevis
- Topography and typology: Wyatt Earp and the west / Homer B Pettey
- Patton (1970): celebrating the un-American national hero / R. Barton Palmer
- J. Edgar: Eastwood's man of mystery / Douglas McFarland
- Nationalizing abject American artist: Jackson Pollock, Lee Krasner, and Jean-Michel Basquiat / Julie Codell
- Adapting Plathology: Sylvia (2003) / Claire Perkins
- "The dark lady of American photography": Steven Shainberg's Fur: an imaginary portrait of Diane Arbus (2006) / Monika Pietrzak-Franger
- The Great White Hope (1970): a forgotten biopic? / James Burns and Abel A. Bartley
- Kinsey: an inquirty into American sexual identity / Gabriele Linke
- Toward a new LGBT biopic: politics and reflexivity in Gus Van Sant's Milk (2008) / Julia G Erhart
- Speilberg's Lincoln: memorializing emancipation / R. Barton Plamer
- Afterword: The making of Americans / William H. Epstein.
