Encounters with Godard ethics, aesthetics, politics

'Encounters with Godard' takes the reader on a personal voyage into the sensory pleasures and polyphonic rhythms of Jean-Luc Godard's multimedia work since the late 1970s, from his feature films and video essays to his published writings, art books, and media performances.

Detalles Bibliográficos
Autor principal: Williams, James S., 1963- (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Albany : State University of New York Press [2016]
Colección:EBSCO Academic eBook Collection Complete.
SUNY series. Horizons of cinema.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b37339801*spi
Tabla de Contenidos:
  • The politics of violence and the end(s) of art: speaking (for) the other in La Chinoise
  • The signs in our midst: European culture and artistic resistance in Histoire(s) du cinéma (1988-98)
  • Beyond the cinematic body: digital rhythms and in/human breakdown
  • Silence, gesture, revelation: the ethics and aesthetics of montage in Godard and Agamben
  • Music, love, and the cinematic event
  • Crossing the darkness: metaphor, difference, dissymmetry in notre musique
  • Entering the desert: giving face in Film socialisme
  • Soft and hard/back to back: erotic encounters between voice and image in the zone
  • Coda: cinema after language.