Queer Voices Technologies, Vocalities, and the Musical Flaw
This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against...
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| Autor Corporativo: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Palgrave Macmillan US : Imprint: Palgrave Macmillan
2011.
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| Colección: | Palgrave Macmillan’s Critical Studies in Gender, Sexuality, and Culture.
Springer eBooks. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b3618018x*spi |
| Sumario: | This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener. |
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| Descripción Física: | XV, 192 p. |
| Formato: | Forma de acceso: World Wide Web. |
| ISBN: | 9780230119550 |
