Reading, performing and imagining The Libro del Arcipreste
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
North Carolina Studies in the Romance Languages and Literatures, U.N.C. Department of Romance Studies
2016.
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| Colección: | EBSCO Academic eBook Collection Complete.
North Carolina studies in the Romance languages and literatures ; number 307. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b35652688*spi |
Tabla de Contenidos:
- Cover; TABLE OF CONTENTS; PREFACE; INTRODUCTION: Reception and Performance: Medieval and Postmodern; I. STRATEGIES FOR READING THE LIBRO DEL ARCIPRESTE; CHAPTER 1: Fallen Language and Tempting Texts; CHAPTER 2: Lex intima in corde conscripta and the Ways of Understanding; II. PERFORMING THE LIBRO DEL ARCIPRESTE; CHAPTER 3: Signs of Performance: Mime, Gesture, Noise, and Silence in the Libro; CHAPTER 4: Reading Error, Finding Fault: on the Uses of Heresy in the Libro del Arcipreste; CHAPTER 5: Quid est? Quis est enim? "Juan Ruiz" as "Ovid"; III. REWRITING AND IMAGINING THE LIBRO DEL ARCIPRESTE.
- CHAPTER 6: The Libro in the CancionerosCHAPTER 7: Envisioning the Libro del Arcipreste in the Cancionero de Palacio; CHAPTER 8: Mischief, Mayhem, and Uxoricide: Elisha Kent Kane and the Libro del Arcipreste; CONCLUSION; BIBLIOGRAPHY; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
