Mark E. Smith and the Fall art, music and politics

"This volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty y...

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Detalles Bibliográficos
Otros Autores: Goddard, Michael, 1965- (-), Halligan, Benjamin
Formato: Libro electrónico
Idioma:Inglés
Publicado: Burlington, VT : Ashgate 2010.
Colección:EBSCO Academic eBook Collection Complete.
Ashgate popular and folk music series.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b35549853*spi
Descripción
Sumario:"This volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty years. The key aspect of the group that this volume explores is the invariably creative, unfailingly critical and often antagonistic relations that characterize both the internal dynamics of the group and the group's position in the pop cultural surroundings. The Fall's ambiguous position in the unfolding histories of British popular music and therefore in the new heritage industries of popular culture in the UK, from post-punk to anti-Thatcher politics, to the 'Factory fiction of Manchester' and on into Mark E. Smith's current role as ageing 'enfant terrble' of rock, illustrates the uneasy relationship between the band, their critical commentaries and the historians of popular music. This volume engages directly with this critical ambiguity"--Publisher's description, p. [4] of cover.
Descripción Física:xvi, 209 p. : il
Formato:Forma de acceso: World Wide Web.
Bibliografía:Incluye referencias bibliográficas e índice.
ISBN:9781409403920
9781282545311