Closely watched films an introduction to the art of narrative film technique
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press
2014.
|
| Edición: | Tenth anniversary ed |
| Colección: | EBSCO Academic eBook Collection Complete.
|
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b34707220*spi |
Tabla de Contenidos:
- Cover; CLOSELY WATCHED FILMS; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction; 1 The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation; 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin; 3 Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer; 4 The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday; 5 Expressive Realism: Orson Welles's Citizen Kane; 6 Italian Neorealism: Vittorio De Sica's The Bicycle Thief.
- 7 Auteur Theory and the French New Wave: François Truffaut's The 400 Blows8 Hollywood Auteur: Alfred Hitchcock's Notorious; 9 The European Art Film: Federico Fellini's 8 1/2; 10 Film and Postmodernism: Woody Allen's Annie Hall; 11 Political Cinema: Spike Lee's Do the Right Thing; 12 Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing; 13 Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar; Notes; Glossary; Bibliography; Index.
