New Taiwanese cinema in focus moving within and beyond the frame
This book places Taiwanese cinema from the 1980s onwards in both national and transnational contexts. In the Taiwanese film industry, the dichotomy between arthouse and commercially viable films is heavily emphasized by both scholars and the local media. Ostensibly, this dichotomy stems from two sep...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press
[2014]
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| Colección: | EBSCO Academic eBook Collection Complete.
Traditions in world cinema. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b32565094*spi |
Tabla de Contenidos:
- Introduction
- Charting the course: defining the Taiwanese cinematic 'tradition'
- Taiwanese-Italian conjugations: the fractured storytelling of Edward Yang's The Terrorizers and Michaelangelo Antonioni's Blow-Up
- Mapping Hou Hsiao-hsien's visuality: setting, silence and the incongruence of translation in Flight of the Red Balloon
- Tsai Ming-liang's disjointed connectivity and lonely intertexuality
- The Chinese/Hollywood aesthetic of Ang Lee: 'Westernized', capitalist...and box office gold
- Filming disappearance or renewal? The ever-changing representations of Taipei in contemporary Taiwanese cinema
- Conclusion.
