The tragic myth Lorca and cante jondo
With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would reme...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Lexington :
The University Press of Kentucky
c1978.
|
| Colección: | EBSCO Academic eBook Collection Complete.
Studies in Romance languages ; 20. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b32560333*spi |
Tabla de Contenidos:
- Cover; Title; Copyright; Contents; PROLOGUE; I. THEORY AND PRACTICE; 1. Theory: The Lectures; The Primitive A ndalusian Song; The Theory of Duende; 2. Practice: Granada, 1922; II. ECHOES AND MOTIFS; 3. Echoes: Space, Time, the Saeta, Visceral Suffering, Extremes; 4. Motifs and Themes; Pena negra; The Guitar; The Bull and Bullfighting; III. LORCA, CANTE JONDO, AND MYTH; 5. The Mythic Land: Andalusia; A Poetic Trajectory; Sea and Olive; A Lorcan Geography; Granada; Cordova; Seville; Malaga and Jerez de la Fron tera; 6. The Mythic Man: The Gypsy; Animism and Religion; Innate Surrealism.
- 7. Myth and History: The SaetaA History of the Saeta; ""Poema de la saeta""; IV. THE TRAGIC MYTH; 8. Conclusion; NOTES; A SELECTED BIBLIOGRAPHY; INDEX.
