Tsʻao Yü the reluctant disciple of Chekhov and O'Neill, a study in literary influence
Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow So...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
[Hong Kong] :
Hong Kong University Press
1970.
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| Colección: | EBSCO Academic eBook Collection Complete.
Centre of Asian Studies series ; no. 2. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b31322062*spi |
Tabla de Contenidos:
- Acknowledgements; Contents; Introduction; I Thunderstorm: Its Source and Form; II Thunderstorm and Desire under the Elms; III Sunrise and the 'Tearful' Art of Chekhov; IV SunriseandThe Cherry Orchard; V The Noble Savage as a Rejuvenative Symbol; VI The Wilderness and The Emperor Jones as Studies of Fear; VII Peking Man and the Decline of Chinese Gentility; VIII Tseng Wen-ch'ing and Ivanov: Portraits of Two 'Superfluous Men'; Conclusion; Bibliography; Index.
