Settling the score music and the classical Hollywood film
Annotation Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Kor...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Madison :
University of Wisconsin Press
c1992.
|
| Colección: | EBSCO Academic eBook Collection Complete.
Wisconsin studies in film. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b31286392*spi |
Tabla de Contenidos:
- The language of music: a brief analysis of Vertigo
- A theory of film music
- The silent film score: a structural model
- The classical Hollywood film score: Captain Blood: a working model
- "Every character should have a theme": The informer: Max Steiner and the classical film score
- The "hysterical cult of the director": The magnificant Ambersons: music and theme
- "Not exactly classical, but sweet": Laura: new directions
- John Williams and "The empire" strike back: the eighties and beyond: classical meets contemporary.
