Siegfried Kracauer's American writings essays on film and popular culture
Siegfried Kracauer (1889-1966), friend and colleague of Walter Benjamin and Theodor Adorno, was one of the most influential film critics of the mid-twentieth century. In this book, Johannes von Moltke and Kristy Rawson have, for the first time assembled essays in cultural criticism, film, literature...
| Autor principal: | |
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| Otros Autores: | , |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press
2012.
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| Colección: | EBSCO Academic eBook Collection Complete.
Weimar and now : German cultural criticism ; 45. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b31010684*spi |
Tabla de Contenidos:
- Between Hollywood and Europe: a cultural critic in New York. Why France liked our films (1942)
- Hollywood's terror films (1946)
- Jean Vigo (1947)
- The revolt against rationality (1947)
- Jewish culture (1947)
- Filming the subconscious (1948)
- Psychiatry for everything and everybody (1948)
- Those movies with a message (1948)
- National types as Hollywood presents them (1949)
- The mirror up to nature (1949)
- Preston Sturges, or laughter betrayed (1950)
- Art today (1961)
- About the state of the humanities
- A statement on the humanistic approach
- Talk with Teddie (1960)
- A critic at large I: film reviews. An American experiment (1941)
- Dumbo (1941)
- Film notes from Hollywood (1941)
- A few American films (1941)
- William Wyler's new Bette Davis film (1941)
- Flaherty, the land (1942)
- For whom the bell tolls (1943)
- Pais? (1948)
- The decent German (1949)
- The eternal Jew (1956)
- A few notes on The connection (1961)
- A critic at large II: book reviews. In Eisenstein's workshop (1943)
- The Russian director (1949)
- The movie colony (1942)
- A lady of valor (1947)
- The Teutonic mind (1948)
- Consciousness, free and spontaneous (1948)
- Indologian holiday (1948)
- Portrait in film (1948)
- Total teaching
- Pictorial deluge (1950)
- Movie mirror (1950)
- Reflexion faite (1952)
- Toward a theory of film. Stage vs. screen acting (1950)
- The photographic approach (1951)
- Silent film comedy (1951)
- The found story and the episode (1956)
- Letter to film 56 (1956)
- Afterword: Kracauer, the magical nominalist / Martin Jay.
