B is for bad cinema aesthetics, politics, and cultural value
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Albany :
State University of New York Press
2014.
|
| Colección: | EBSCO Academic eBook Collection Complete.
SUNY series, horizons of cinema. |
| Acceso en línea: | Conectar con la versión electrónica |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b30810528*spi |
Tabla de Contenidos:
- B for bad cinema / Claire Perkins and Constantine Verevis
- pt. 1. Aesthetics
- Explosive apathy / Jeffrey Sconce
- B-grade subtitles / Tessa Dwyer
- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks
- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer
- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance
- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton
- pt. 2. Authorship
- Coffee in paradise: the horn blows at midnight / Tom Conley
- The risible: on Jean-Claude Brisseau / Adrian Martin
- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan
- Liking The magus / I.Q. Hunter
- BADaptation: is candy faithful? / Constantine Verevis.
