Pottery, Pavements, and Paradise Iconographic and Textual Studies on Late Antiquity

New perspectives are provided on late antique cults, popular entertainment, and the decoration of Christian churches through a fresh look at Christian writings, popular ceramics, and elite works of mosaic, metalwork, and marble sculpture.

Detalles Bibliográficos
Autor principal: Hoek, Annewies van den (-)
Otros Autores: Herrmann, John Joseph
Formato: Libro electrónico
Idioma:Inglés
Publicado: Leiden : BRILL 2013.
Colección:EBSCO Academic eBook Collection Complete.
Vigiliae Christianae, Supplements.
Acceso en línea:Conectar con la versión electrónica
Ver en Universidad de Navarra:https://innopac.unav.es/record=b30726396*spi
Tabla de Contenidos:
  • Courtyards, Vessels, and Washing Rituals in the Greek-Speaking EastArchaeological Evidence; Chapter Two. Thecla the Beast Fighter: A Female Emblem of Deliverance in Early Christian Popular Art; Early Christian Images on North African Pottery; Domina Victoria; DOMINA: Who Was That Lady?; Word and Image; The Company She Keeps; Compassionate Conservatism?; A Glimmer of Hope?; Avoiding Misunderstandings; Acknowledgements; Chapter Three. ""Two Men in White"" Observations on an Early Christian Lamp from North Africa with the Ascension of Christ; The Lamp; Changing Visions of the Ascension.
  • Eastern or Western?Augustine and the Ascension; The Ascension and the Second Coming; Conclusion; Chapter Four. Anicius Auchenius Bassus, African Red Slip Ware, and the Church; The Object; Identifying the Consul; Dating the Cover; Chapter Five. The Sphinx: An Egyptian Theological Symbol in Plutarch and Clement of Alexandria; Introduction; The Interpretative Problem; Symbolic Interpretations in Ancient Writers; Greek Sphinxes in Religious Settings; Early Metaphorical Interpretations of the Sphinx: Sphinx and Sibyl; Sphinxes in Roman Temples; Clementine Sphinxes in Roman Imperial Times.
  • Interpreting a Being with Two NaturesSphinxes after Clement; Chapter Six. Clement of Alexandria, Acrobats, and the Elite; Clement's Historicity: Information on His Life; Acrobats in Ancient Sources; Clement's Treatment of the Traditional Theme; Wealth and Poverty in Other Works of Clement; Conclusion: Back to the Acrobats; Chapter Seven. Celsus' Competing Heroes: Jonah, Daniel, and their Rivals; Introduction; Competing Heroes in a Passage from Celsus; Jonah and Daniel; Jonah and Daniel in Early Christian Art and Ceramics; Orpheus, a Miracle-Worker Acceptable to All Sides.
  • Asklepios, a Hero with a Widespread CultCelsus' Unpopular Proposals, Anaxarchos, Epiktetos, and the Sibyl; Herakles, an Artistic Competitor; Chapter Eight. Divine Twins or Saintly Twins: The Dioscuri in an Early Christian Context; The Myth; The Dioscuri on North African Ceramics; The Dioscuri and Their Roman Identification; Divine Twins or Saintly Twins?; Chapter Nine. The Saga of Peter and Paul: Emblems of Catholic Identity in Christian Literature and Art; A Memorable Exhibition on Early Christian Art; Peter and Paul in Rome; Peter and Paul in North Africa; Conclusion.