Film 1900 technology, perception, culture
| Otros Autores: | , |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
New Burnet (England) :
John Libbey
2009
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| Materias: | |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b20390208*spi |
Tabla de Contenidos:
- Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa
- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser
- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler
- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer
- Mind the gap: the discovery of physiological time / Henning Schmidgen
- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg
- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz
- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis
- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen
- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller
- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars
- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz
- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick
- The attraction of motion: modern representation and the image of movement / Tom Gunning
- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier
- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger
- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel
- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa
- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
