Camera and action american film as agent of social change, 1965-1975
"This study examines changes in the American film industry, audiences, and feature films during 1965-1975. With transformations in production codes, adjustments in national narratives, a rise in independent filmmaking, and a new generation of directors and producers addressing controversial iss...
| Autor principal: | |
|---|---|
| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Jefferson, N.C. ; London :
McFarland
cop. 2008
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| Materias: | |
| Ver en Universidad de Navarra: | https://innopac.unav.es/record=b18584871*spi |
Tabla de Contenidos:
- As Hollywood turned: expansion, exhibition, codes, and directors at mid-decade
- A new audience for the now movie: film societies, the college campus, the American Film Institute and making film art
- The graduate: representing a generation
- Alice's restaurant: constructing hippie folk and legitimizing revolutionary distinction
- Back in the saddle again: men, westerns, hippies, and Easy rider
- Under the influence: representing masculinity in Midnight cowboy
- No icon left unturned: M*A*S*H and the project of antiestablishment
- Out of the saddle, into the seventies: gender in McCabe and Mrs. Miller
- What's sex got to do with it? Carnal knowledge and the delusion of telling it like it is
- Forever native: Penn's new authentics in Little Big Man
- The Godfather films as America
- Conclusion: cinematic anarchists go generic.
