Theatres and encyclopedias in early modern Europe

In this book West explores what 'theatre' meant to Medieval and Renaissance writers and places Renaissance drama, for the first time, within the influential context of the encyclopedic writings produced at the time. It was an encyclopedic culture, obsessed with sorting knowledge and early...

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Detalles Bibliográficos
Autor principal: West, William N. (-)
Formato: Libro
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press 2002
Colección:Cambridge studies in Renaissance literature and culture ; 44
Materias:
Acceso en línea:Acceso a las primeras páginas
Ver en Universidad de Navarra:https://innopac.unav.es/record=b16910199*spi
Descripción
Sumario:In this book West explores what 'theatre' meant to Medieval and Renaissance writers and places Renaissance drama, for the first time, within the influential context of the encyclopedic writings produced at the time. It was an encyclopedic culture, obsessed with sorting knowledge and early encyclopedias presented themselves as textual theatres, in which everything knowable could be represented in concrete, visible form. Medieval and Renaissance plays, similarly, took encyclopedic themes as their topics: the mysteries of nature, universal history, the world of learning. But instead of transmitting authorized knowledge unambiguously, as it was supposed to be, the theatre created a situation in which ordinary experience could become a source of authority. West covers a wide range of works, from the encyclopedic texts of the middle ages and Renaissance to Marlowe's Doctor Faustus, Jonson's The Alchemist, and Bacon's Novum Organum, to provide a fascinating picture of the cultural life of the period
Descripción Física:xv, 293 p. : il. ; 24 cm
Bibliografía:Bibliografía: p. 274-290 e índice
ISBN:9780521809146