That wonderful composite called author authorship in East Asian literatures from the beginnings to the seventeenth century
Did East Asian literatures, ranging from bronze inscriptions to zazen treatises, lack a concept of authorship before their integration into classical modernity? The answer depends on how one defines the term author. Starting out with a critical review of recent theories of authorship, this edited vo...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Leiden, Netherlands :
Brill
2014.
|
| Edición: | 1st ed |
| Colección: | East Asian comparative literature and culture ;
Volume 4. |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009757841306719 |
Tabla de Contenidos:
- Preliminary Material
- Introduction / Raji C. Steineck and Christian Schwermann
- 1 Composite Authorship in Western Zhōu Bronze Inscriptions: The Case of the “Tiānwáng guǐ ” 天亡簋 Inscription / Christian Schwermann
- 2 Authorship in the Canon of Songs (Shi Jing) / Alexander Beecroft
- 3 The Compiler as the Narrator: Awareness of Authorship, Authorial Presence and Author Figurations in Japanese Imperial Anthologies, with a Special Focus on the Kokin wakashū / Simone Müller
- 4 Fluidity of Belonging and Creative Appropriation: Authorship and Translation in an Early Sinic Song (“Kongmudoha Ka” 公無渡河歌) / Marion Eggert
- 5 Appropriating Genius: Jin Shengtan’s Construction of Textual Authority and Authorship in His Commented Edition of Shuihu Zhuan (The Water Margin Saga) / Roland Altenburger
- 6 Enlightened Authorship: The Case of Dōgen Kigen / Raji C. Steineck
- General Index
- Name Index.
