Cinematic intermediality theory and practice
This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance.
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| Otros Autores: | , |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Edinburgh, Scotland :
Edinburgh University Press
[2021]
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| Colección: | Edinburgh studies in film and intermediality.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009749602406719 |
Tabla de Contenidos:
- Intro
- Cinematic Intermediality
- Copyright
- Contents
- Figures
- Acknowledgements
- The Contributors
- Introduction
- Part 1 Mapping the Interzone
- 1 Film and Performance: Intermedial Intersections
- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)
- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema
- 4 Dream Screen: On Cinema and Painting, Blur and Absorption
- Part 2 The Intermedial Avant-gardes
- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015
- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G
- Part 3 Technology, Apparatus, Affect
- 8 Intermediality and the Origins of Cinema
- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame
- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph
- Part 4 Intermedial Creation
- 11 What Does a Dance Filmmaker See?
- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith
- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion
- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror
- Index.
