Sergei M. Eisenstein notes for a general history of cinema
An iconic figure in twentieth-century cinema, Sergei M. Eisenstein directed landmark films such as Battleship Potemkin and Ivan the Terrible and authored a vast body of theoretical texts. This is the first English-language edition of his recently rediscovered notes for a 'general history of cin...
| Otros Autores: | , , , , , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press
[2016]
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| Colección: | Film theory in media history.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009653768306719 |
Tabla de Contenidos:
- Foreword / Naum Kleiman
- Cinema as "dynamic mummification," history as montage : Einstein's media archaeology / Antonio Somaini
- Notes for a general history of cinema / Sergei M. Eisenstein
- What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman
- "The heritage we renounce" : Eisenstein in historio-graphy / François Albera
- The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk
- Act now!, or For an untimely Eistenstein / Nico Baumbach
- Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman
- Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines
- Dynamic typicality / Abe Geil
- Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger
- Point--pathos--totality / Mikhail Iampolski
- Distant echoes / Arun Khopkar
- "Synthesis" of the arts or "friendly cooperation" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani
- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen
- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova.
