Cultural commons in the digital ecosystem

Cultural commons in the digital ecosystem

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Detalles Bibliográficos
Otros Autores: Pélissier, Maud, author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Hoboken, NJ : John Wiley & Sons, Inc [2021]
Colección:Intellectual technologies set ; Volume 8.
Materias:
Intellectual property.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009631369806719
Tabla de Contenidos:
  • Cover
  • Half-Title Page
  • Title Page
  • Copyright Page
  • Contents
  • Introduction
  • PART1: The Intellectual Movement of the Cultural Commons
  • Introduction to Part 1
  • 1. The Pioneering Approach of Jurists from the Berkman Center for Internet and Society
  • 1.1. A critique of the maximalist doctrine of intellectual property
  • 1.1.1. The enclosure of the intangible commons of the mind
  • 1.1.2. The threat of disappearance of free culture in cyberspace
  • 1.2. The political economy of information commons
  • 1.2.1. Shared ownership and individual freedom
  • 1.2.2. A new mode of information production
  • 1.3. The creative commons in the field of works of the mind
  • 1.3.1. Incarnation of free culture practices
  • 1.3.2. Institutionalization of free culture: Creative Commons licenses
  • 1.3.3. The modalities of cohabitation with the commercial cultural economy
  • 1.4. Propagation in the intellectual and militant sphere in France
  • 1.4.1. The challenge of legalizing non-market sharing
  • 1.4.2. The challenge of legal recognition of the information commons
  • 1.5. Recent extensions of the BCIS approach
  • 1.5.1. The digital public domain: the perimeter of cultural commons
  • 1.5.2. Network infrastructure as a commons
  • 1.5.3. Remuneration of volunteer contributors
  • 2. The Ostromian Approach to the Knowledge Commons
  • 2.1. Ostrom's original theory of the land commons
  • 2.1.1. An institutional definition of the commons
  • 2.1.2. A questioning of the "tragedy of the commons"
  • 2.1.3. Communal property as a bundle of rights
  • 2.1.4. An institutional approach to the self-organization of common resources
  • 2.2. The knowledge commons: Hess and Ostrom's approach
  • 2.2.1. The singularity of information common pool resources (CPR)
  • 2.2.2. Digital libraries as information CPRs
  • 2.2.3. Institutional analysis and development framework (IAD).
  • 2.3. Open access platforms as scientific commons?
  • 2.3.1. Open access: a major transformation of the editorial ecosystem
  • 2.3.2. Open access platforms: which bundles of user rights?
  • 2.3.3. Enrichment and sustainability of the scientific commons
  • 2.4. Cooperative platforms as social commons?
  • 2.4.1. A rapprochement with the social and solidarity economy
  • 2.4.2. Conditions for exploiting the social value created
  • 2.4.3. Governance of cooperative platforms
  • 2.4.4. Commoners' remuneration: a right to contribute
  • PART 2: The Commons in the Digital Book Ecosystem
  • Introduction to Part 2
  • 3. Digital Libraries as Heritage Commons
  • 3.1. A favorable context
  • 3.1.1. A new documentary order
  • 3.1.2. Cultural public data as a public good
  • 3.2. The production methods of heritage commons
  • 3.2.1. The Google challenge
  • 3.2.2. Public/private partnerships: threat or opportunity?
  • 3.2.3. On-demand digitization and citizen contribution
  • 3.2.4. The heritage commons: a plasticity of forms
  • 3.3. Governance issue: enriching our common heritage
  • 3.3.1. The construction of a shared heritage infrastructure
  • 3.3.2. Content editorialization and digital mediation
  • 4. The Written Commons in the Publishing Industry
  • 4.1. The transformations of the editorial ecosystem
  • 4.1.1. Digital textuality and new uses
  • 4.1.2. The digital book immersed in an attention economy
  • 4.1.3. The digital book and the growth of self-publishing
  • 4.2. Wattpad: a common narrative of the misguided written word
  • 4.2.1. The use of CC licenses: a hidden reality
  • 4.2.2. A progressive attraction to the attention economy
  • 4.2.3. Strengthened cohabitation with publishers: the announced end of free culture
  • 4.3. Self-publishing and free culture: a multifaceted face
  • 4.3.1. The Lulu platform: open source for the book market?.
  • 4.3.2. In Libro Veritas and Framabook: free book editions
  • Conclusion
  • References
  • Index
  • Other titles from iSTE in Information Systems, Web and Pervasive Computing
  • EULA.

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