Subtext : critiquing individual photographs within a collective consciousness

Subtext critiquing individual photographs within a collective consciousness

Andre Ruesch has been an active photographer for over thirty years. After receiving a BA in photographic studies at Edinburgh Napier University, Scotland, he moved to Albuquerque to receive his MA and MFA for graduate studies in photography at the University of New Mexico. While there, his main men...

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Detalles Bibliográficos
Otros Autores: Ruesch, Andre, author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: London : Routledge 2018.
Edición:1st edition
Materias:
Photographic criticism.
Photography, Artistic.
Photography > Technique.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009630654906719
Tabla de Contenidos:
  • chapter 1 The Velvet Hammer
  • The Potency of Elements / André Ruesch
  • chapter 2 The Personal Galaxy
  • The Symbol / André Ruesch
  • chapter 3 Just Fashion
  • A Question of Identity / André Ruesch
  • chapter 4 Nike and the Butterfly
  • The Reversed Stereotype / André Ruesch
  • chapter 5 Staying in Line
  • Conductivity / André Ruesch
  • chapter 6 Politics
  • The Metaphoric Landscape / André Ruesch
  • chapter 7 Henry's Tale
  • The Photographic Fable / André Ruesch
  • chapter 8 Moment by Moment
  • Elapsed Time—Eadweard Muybridge Revisited / André Ruesch
  • chapter 9 The Drowned Gun
  • Time as Poetry / André Ruesch
  • chapter 10 Split Again
  • The Reversed Connection / André Ruesch
  • chapter 11 The Other Half
  • Water and Air / André Ruesch
  • chapter 12 The Original
  • Please Touch the Art / André Ruesch
  • chapter 13 The Tyranny of Borders
  • The Fractured Elements / André Ruesch
  • chapter 14 The Holy Rosary
  • Belonging / André Ruesch
  • chapter 15 A Conversation with God
  • The White Elephant in the Room / André Ruesch
  • chapter 16 Superstructure
  • Conflation / André Ruesch
  • chapter 17 Lady Like
  • Body Language / André Ruesch
  • chapter 18 Recycling
  • The Image Ecology Approach / André Ruesch
  • chapter 19 Appropriation
  • Reinterpretation / André Ruesch
  • chapter 20 Dad
  • Titled versus Untitled / André Ruesch
  • chapter 21 Speed and Stoicism
  • The Nature of the Elements / André Ruesch
  • chapter 22 Reflection
  • The Literally and the Figuratively / André Ruesch
  • chapter 23 Sky View
  • Upside Down / André Ruesch
  • chapter 24 Blood is Blood
  • Assumption / André Ruesch
  • chapter 25 Hypnagogia
  • Viewpoint / André Ruesch
  • chapter 26 Harmonia
  • Rendering the Invisible / André Ruesch
  • chapter 27 Snap
  • Breaking Point / André Ruesch
  • chapter 28 Recognition
  • The Need for Invisibility / André Ruesch
  • chapter 29 Big and Small
  • How We Give Thanks / André Ruesch
  • chapter 30 Ammo and a Happy Meal
  • Be Theatrical / André Ruesch
  • chapter 31 The Spider and the Net
  • Catch and Caught / André Ruesch
  • chapter 32 Dirty Jobs
  • A Deceptive Comedy of Errors / André Ruesch
  • chapter 33 What is to Come
  • Dreaming / André Ruesch
  • chapter 34 The Angel and the Wasp
  • The Order of the Elements / André Ruesch
  • chapter 35 In the End
  • Censorship / André Ruesch
  • chapter VIII If Lost or Lonely
  • Get Your Work Out There / André Ruesch
  • chapter IX Epilogue
  • Florence + The Machine / André Ruesch.

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