The Complete Guide to Film and Digital Production The People and The Process
Now available in an updated, 2nd edition, The Complete Guide to Film and Digital Production: The People and The Process, 2/e,discusses the entire production process for film and digital media, and provides you with a comprehensive view of production in the field, at live events, for mobile content a...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London :
Routledge
2016.
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| Edición: | Second edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629940106719 |
Tabla de Contenidos:
- ""Cover""; ""Half Title""; ""Title Page""; ""Copyright Page""; ""Dedication""; ""Table of Contents""; ""Preface""; ""Part I Prep and Production""; ""Chapter 1 Producing Media""; ""The Producer�s Job""; ""Pre-Production""; ""Production""; ""Post-Production""; ""Line Producer""; ""Pre-Production""; ""Production""; ""Post-Production and Wrap""; ""Associate Producer""; ""Assistant to the Producer""; ""Qualities of a Good Assistant""; ""Acquiring the Script""; ""Working with Writers""; ""Working with First-Time directors""; ""Producing in the Field""; ""Producing Live Events""
- ""Producing Documentary""""Producing Mobile Content""; ""Producing Animation""; ""Distribution""; ""Summary""; ""Chapter 2 Script Breakdown and Scheduling""; ""Scheduling a Film: A Step-by-Step Overview""; ""The Script Breakdown""; ""Electronically�Scheduling Software""; ""By Hand""; ""What are the Elements?""; ""Speaking Cast (Underline in Red)""; ""Extras/Atmosphere (Underline in Green)""; ""Silent Bits (Underline in Yellow)""; ""Props (Underline in Lime) and Set Dressing (Underline in Purple)""; ""Wardrobe (Circle the Item)""; ""Makeup (Mark with an Asterisk)""
- ""Stunts (Underline in Orange)""""Special Effects (Underline in Blue)""; ""Sound Effects (Underline in Brown)""; ""Special Equipment (Draw a Box around the Action)""; ""Vehicles and Animals/Livestock (Underline in Pink)""; ""Music (Underline in Aqua)""; ""Other Categories""; ""Animal Handler""; ""Greenery""; ""Security""; ""Additional Labor""; ""Optical Effects/CGI or Visual Effects""; ""Miscellaneous""; ""Notes""; ""A Note on Continuity""; ""Breaking the Script into “Eighths�""; ""The Breakdown Sheet""; ""The Strip or Production Board""; ""Creating a Schedule""; ""Scheduling Parameters""
- ""Geography""""Set""; ""Cast Members""; ""Day/Night""; ""EXT/INT""; ""Sequence""; ""Children""; ""Time of Year/Climate""; ""Special Effects and Stunts""; ""Second Camera/Second Unit""; ""Special Equipment""; ""Putting the Schedule Together""; ""Schedules to Print""; ""Shooting Schedule""; ""Production Schedule""; ""One-Liner""; ""Day-Out-of-Days""; ""Updating Your Schedule""; ""Revision Colors""; ""Summary""; ""Chapter 3 The Budget""; ""Budgeting Software""; ""Budget Structure""; ""Above-the-Line""; ""Below-the-Line (Production)""; ""Post-Production""; ""Total Other""
- ""Starting to Write a Budget""""Budgeting with Software Packages""; ""Spreadsheet Budgeting""; ""Padding the Budget""; ""The Contingency""; ""Fringe Benefits""; ""Taxes""; ""Payroll Fees""; ""Employee Benefits""; ""Union Versus Nonunion""; ""Becoming Signatory""; ""Local Versus Distant""; ""Budget Disbursement and Tracking""; ""Disbursing Funds""; ""Disbursement Forms""; ""Managing the Budget""; ""Good Budgeting Versus Bad Budgeting""; ""Budget Line Items""; ""Summary""; ""Chapter 4 The Production Team and Staff""; ""Unit Production Manager""; ""Pre-Production""; ""Production""
- ""Post-Production and Wrap""
