Professional cameraman's handbook
This new edition of an all-time best-seller is completely revised and updated and details the components and step-by-step use of over forty of the most widely used film cameras. Significant new topics include time code and time code slates, video assist, and the Steadicam film stabilizing system. Am...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Boston :
Focal Press
1994.
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| Edición: | 4th ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629578506719 |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Table of Contents; Foreword to the Fourth Edition; Foreword to the Third Edition; Preface; Acknowledgments; Manufacturers and United States Agents of Cameras and Related Equipment; How to Use This Book; 1 THE CAMERA PROFESSIONAL'S DUTIES AND RESPONSIBILITIES; 2 CAMERA-FILM IDENTIFICATION; 2.1 Film-Type Identification; 2.2 Exposure Indexes; 2.3 Perforations and Pitch; 2.4 Windings; 2.5 Spool and Core Types; 2.6 Ordering Raw Stock; 2.7 Shipping Instructions; 3 LOADING-ROOM PROCEDURES; 3.1 Testing the Loading Room; 3.2 The Hotbox; 3.3 Preparation of Materials
- 3.4 Loading3.5 Magazine I.D.; 3.6 Unloading; 3.7 Exposed Film; 3.8 On Location; 3.9 The Changing Bag; 3.10 Harrison Film-Changing Tent; 3.11 Hand Tests; 4 SLATES; 4.1 Sync Slate; 4.2 Slating Procedure; 4.3 Insert Slate; 4.4 Time Code and Time-Code Slates; 5 CAMERA REPORTS; 5.1 Typical Clipboard-Type Camera Report; 5.2 Typical Magazine-Type Camera Report; 5.3 Typical Caption-Sheet-Type Camera Report; 5.4 Disposition of Reports; 5.5 The Script Supervisor; 6 ON-THE-JOB PROCEDURES; 6.1 Prior to Shooting; 6.2 During Shooting; 6.3 End of Shooting Day; 6.4 Tools; 7 INTRODUCTION TO EQUIPMENT
- 7.1 The Reflex Viewing System7.2 Video Assist; 7.3 The Offset-Viewfinder System; 7.4 Mattes; 7.5 Filters; 7.6 Camera Motors; 7.7 Barneys; 7.8 Blimps; 7.9 Magazines; 8 TRIPODS; 8.1 Tripod Types; 8.2 Basic Parts of a Tripod; 8.3 Setting Tripod for Shooting; 8.4 Moving a Tripod; 8.5 Care and Maintenance; 8.6 Miscellaneous Accessories; 9 TRIPOD HEADS AND ACCESSORIES; 9.1 Types of Tripod Heads; 9.2 Arriflex Geared Head; 9.3 Mini-Worrall Super Geared Head (Cinema Products); 9.4 Mitchell Friction Head; 9.5 O'Connor Ultimate Fluid Head Model 25-75; 9.6 Panavision Geared Head
- 9.7 Sachtler Fluid Head Studio II9.8 Worrall Geared Head; 9.9 Riser; 9.10 Tilt Plate; 10 AATON 16mm CAMERAS; 10.1 AATON XTR (and LTR) 16mm Camera; 10.2 AATON XTR (and LTR) 16mm Magazine; 10.3 XTR Options and Accessories; 11 ARRIFLEX CAMERAS, MAGAZINES, BLIMPS, AND ACCESSORIES; 11.1 Arriflex 535 35mm Camera; 11.2 Arriflex 535 35mm Magazines; 11.3 Arriflex 535 Accessories; 11.4 Arriflex 35 III Camera; 11.5 Arriflex 35 III Magazines; 11.6 Arriflex 35 BL III, 35 BL 4, and 35 BL 4s Cameras; 11.7 Arriflex BL III, BL4, and BL4s Magazines; 11.8 Arriflex 35 BL I and 35 BL II Cameras
- 11.9 Arriflex 35 BL I and BL II Magazines11.10 Arriflex 35mm Viewfinder Extender; 11.11 Arriflex 35mm Bridgeplates; 11.12 Matte-Boxes (MB-14W, MB-14, MB-15, MB-16, LMB-3, LMB-4, and 35-BL Production Type) and Filter Holders; 11.13 Arriflex 35 IIC and 35mm 3C Cameras; 11.14 Arriflex 35 IIC and 35 3C Magazines; 11.15 Arriflex 35mm Model 400 Blimp; 11.16 Arriflex Flat Base; 11.17 Arriflex 110V AC Sync Motor on Plate; 11.18 Arriflex 16SR-1 and 16SR-2 (16mm) Cameras; 11.19 Arriflex 16mm SR-1 and SR-2 Magazines; 11.20 Arriflex 16SR Viewfinder Extender; 11.21 Arriflex 16BL (16mm) Camera
- 11.22 Arriflex 16BL (16mm) Magazine
