Composition: From Snapshots to Great Shots
Now that you've bought an amazing new DSLR, you need a book that goes beyond the camera manual to teach you how to take great shots. One key component to that is understanding composition--the creative arrangement of elements in the shot, and the way a viewer's eye travels through an image...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified]
Peachpit Press
2010
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| Edición: | 1st edition |
| Colección: | From Snapshots to Great Shots
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629229506719 |
Tabla de Contenidos:
- Cover
- CONTENTS-
- INTRODUCTION
- CHAPTER 1: EQUIPMENT
- The Equipment You Use Directly Affects Your Photographic Style
- Poring Over the Equipment
- Poring Over the Equipment
- What's In My Bag
- My Top Ten Basic Camera Settings
- Chapter 1 Assignments
- CHAPTER 2: EXPOSURE TRIANGLE
- ISO, Aperture and Shutter Speed, and Their Relationship to Each Other and to Light
- Poring Over the Picture
- Understanding the Exposure Triangle
- Chapter 2 Assignments
- CHAPTER 3: LIGHT
- Light Is the Key Element in Image Making!
- Poring Over the Picture
- Poring Over the Picture
- The Quality and Quantity of Light
- Direction of Light
- Exposure Compensation
- Chapter 3 Assignments
- CHAPTER 4: LINES, SHAPES, AND PATTERNS
- Lines, Shapes, and Patterns Make Up the Visual Path that Leads Your Eye Through the Frame to the Point of Interest
- Poring Over the Picture
- Poring Over the Picture
- Curves
- Lines
- Patterns
- Framing
- Vertical or Horizontal Shots?
- Layers
- Chapter 4 Assignments
- CHAPTER 5: COLOR
- Understanding Color and Its Role in Making Dynamic Images
- Poring Over the Picture
- Poring Over the Picture
- Color Wheel
- Complementary Colors
- Emotion of Color
- Black and White Colors
- Colors as Patterns
- Colors and White Balance
- Significance of Color
- Chapter 5 Assignments
- CHAPTER 6: SPATIAL RELATIONSHIPS
- The What, Where, When, Why, and How That Go Into the Making of a Good Composition
- Poring Over the Picture
- Poring Over the Picture
- Point of View
- Visual Depth
- Scale
- Perspective
- In Your Face, or, Environmental Composition
- Horizon Line
- Subject Placement
- Chapter 6 Assignments
- CHAPTER 7: BLACK AND WHITE
- Learning to See in Black and White
- Poring Over the Picture
- Poring Over the Picture
- When to Go Black and White.
- Learning to Live and See in a Black-and-White World
- Approaching the Shot
- Once I'm Committed: My Thought Process
- My Standard Camera Settings
- Postprocessing for Black and White
- My Kit
- Break the Rules and Have Fun
- Chapter 7 Assignments
- CHAPTER 8: SPORTS AND COMPOSITION
- A Totally Different Animal
- Poring Over the Picture
- Poring Over the Picture
- Learning to Handle the Complexities of Sports Photography
- Dealing with Speed
- The Two Most Important Questions
- Learning Lessons from Your Mistakes
- Chapter 8 Assignments
- CHAPTER 9: BEYOND THE RULE OF THIRDS
- A Brief History, Some Psychology, and Positive and Negative Space
- Poring Over the Picture
- Poring Over the Picture
- Where Did Composition Originate?
- Good Composition Is in Our DNA!
- Deconstruction and Psychology of a Composition
- Positive and Negative Space
- Thoughts on Cropping and Printing
- Chapter 9 Assignments
- CHAPTER 10: THE COMPOSITIONAL DANCE
- Poring Over the Picture
- Poring Over the Picture
- The Dance
- Work the Scene
- Change Your Vantage Point
- Be in the Moment
- Choices and Limitations
- Have Patience
- Review Your Work
- Follow the Magic
- Experience Leads to Intuition
- Chapter 10 Assignments
- INDEX.
