Final Cut Pro 7
Newly updated for Final Cut Pro 7, this Visual QuickPro Guide is hands-down one of the most sought out books on Apple's non-linear editing system. An undisputed master of the digital video medium, Lisa Brenneis once again demystifies the complexities of the program with her straightforward appr...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified]
Peachpit Press
2010
|
| Edición: | 1st edition |
| Colección: | Visual quickpro guide Final Cut Pro 7
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629035506719 |
Tabla de Contenidos:
- Cover
- Table of Contents
- Introduction
- Chapter 1: Welcome to Final Cut Pro
- Your First Final Cut Pro Project: Start to Finish
- What Is Nonlinear, Nondestructive Editing?
- Final Cut Pro 7: Only Available in Final Cut Studio
- Touring Your Desktop Post-Production Facility
- Useful features
- Menus, shortcuts, and controls
- Customizable interface
- Onscreen help
- Editing and Effects Windows
- The Browser
- The Viewer
- The Viewer's Effects tabs
- The Canvas
- The Timeline
- The Tool palette
- The Tool Bench
- Input and Output Windows
- Log and Capture
- Log and Transfer
- Media Management Tools
- Media Manager
- Other media management tools
- Import and export options
- Chapter 2: Installing and Setting Up
- System Requirements
- Real-Time System Requirements
- HDV: HD for the Masses
- Real-Time Effects: More Hardware Options
- What's the Difference Between DV and Digital Video?
- Hardware Selection and Connection
- Monitor Video on a Computer Display
- FCP Protocol: Disk Names
- Storage Strategy for Final Cut Pro
- Connecting video devices
- About Apple FireWire
- FireWire Cables: Handle with Care
- Connecting an external NTSC or PAL video monitor
- FCP Protocol: Controlling External Video Output
- Controlling Video Devices with Final Cut Pro
- Installing Final Cut Pro
- Where to install FCP?
- Setting Up for Multiple Projects and Users
- Optimizing Performance
- The Bottom Line: Running FCP on a "Base-Case" Mac
- Troubleshooting
- Chapter 3: Presets and Preferences
- Accessing Settings and Preferences
- Modifying the Settings of an Existing Item
- Finding Additional and Third-Party Presets
- Using Easy Setups
- How to choose an Easy Setup
- Easy Setups to Go
- Using Audio/Video Presets
- Specifying Sequence Settings
- Specifying video processing settings for a Sequence preset.
- RGB or YCrCb: Choosing a Color Space
- Specifying Capture Settings
- Specifying QuickTime Settings for Video and Audio Capture
- Specifying Device Control Settings
- Configuring Audio/Video Output Settings
- Configuring different Audio/Video outputs for playback and recording
- How to "Trash Your Prefs"
- Specifying User Preferences and System Settings
- Setting Editing Preferences
- Setting Label Preferences
- Customizing the Timeline Display
- Specifying Render Control Settings
- Specifying Audio Output Settings
- Setting Scratch Disk Preferences
- FCP Protocol: Scratch Disks
- Specifying Search Folder Preferences
- Specifying Memory & Cache Settings
- Specifying Playback Control Settings
- Setting External Editors Preferences
- Specifying Effect-Handling Preferences
- Customizing Final Cut Pro
- Creating Custom Screen Layouts
- Creating Custom Keyboard Layouts
- Creating Custom Shortcut Buttons
- Chapter 4: Projects, Sequences, and Clips
- Anatomy of an FCP Project
- Project item types
- About Projects
- Using Save As to Protect Your Work
- Viewing and setting project properties
- Using the Autosave Vault
- Setting Autosave Vault location and preferences
- Using Autosave to recover from a crash
- You Need Backup
- Undoing Changes
- FCP Protocol: Undoing Changes in Multiple Projects
- What's a Sequence?
- Creating a new sequence
- Time Stamp for Sequences
- Changing the Settings of an Existing Sequence
- Working with Multiple Sequences
- Nesting and Sequences: A Glossary
- Creating nested sequences
- FCP Protocol: Selecting Items for Nesting
- Making changes to a nested sequence
- Copying and pasting from sequence to sequence
- Assembling Nested Sequences with Transitions
- Editing a sequence into another sequence
- FCP 7 Update: Rippling Markers
- FCP Protocol: Updating Nested Sequences.
- About Clips
- FCP Protocol: Sequence Clip Terminology
- FCP Protocol: Clips and Sequences
- Master Clip Identity Travels Across Multiple Projects
- FCP Alert: Modify With Care
- Viewing and Setting Item Properties
- About Timecode Viewing Options
- Changing Your Source Timecode
- Importing Audio-Only Files with Timecode
- Working with Merged Clips
- Syncing up clips before merging
- Chapter 5: Capturing Video
- Anatomy of the Log and Capture Window
- Preview section
- Log and Capture controls
- Logging tab
- Capture Settings tab
- Clip Settings tab
- Setting Up for Capture
- On Peachpit.com
- Capture Settings: Try These First
- Logging Clips
- FCP Protocol: What Are Offline Clips?
- The Art of File Naming
- Selecting a logging bin
- Speed Logging Tips
- Logging
- FCP Protocol: Auto-Incrementing on the Logging Tab
- Modifying logged clip data
- Capture Clip: Capturing Video with Device Control
- Capture Now: Capturing Video without Device Control
- FCP Alert: Audio Format Changes
- Capturing audio
- Capturing HDV Video
- Batch Capturing Clips
- The Wonders of Batch Recapture
- Batch Recapture of File-based Media
- Preparing for a batch capture
- "Additional Items Found"-What Are Your Options?
- Using DV Start/Stop Detection
- What Is Offline RT?
- Troubleshooting Tape Capture Problems
- About the Log and Transfer Window
- Using the Log and Transfer window to import AVCHD footage
- About Apple ProRes formats
- Setup Checklist For AVCHD File Transfer
- Chapter 6: Importing Digital Media
- Importing Still Images
- FCP Protocol: File Location Is Critical
- Setting the default duration for stills
- Working with Adobe Photoshop Files
- Importing a layered Photoshop file into Final Cut Pro
- FCP Protocol: Layered Photoshop Files
- FCP Protocol: Updating Multilayer Photoshop Files in FCP.
- Importing Audio Files
- Convert Audio to 48 kHz on Import with iTunes
- Importing an iMovie Project
- iMovie to FCP: What's Lost in Translation
- Chapter 7: Organizing Clips in the Browser
- Anatomy of the Browser
- Browser columns
- Browser window icons
- What Does "Not Set" Mean?
- Using the Browser to Organize Your Project
- FCP 7 Update: Smarter Tabs
- Sorting items
- Customizing the Browser Display
- Searching for Items in the Browser
- Using the Find Results window
- Search the Project or Search the Sequence?
- Working with Bins
- What's That Little Doodad?
- Working with Browser Items
- Mouseless Browser Navigation
- Chapter 8: Working with Clips in the Viewer
- Anatomy of the Viewer
- Transport controls
- Clip-marking controls
- Pop-up selectors
- View selectors
- Playhead Sync pop-up menu
- Timecode navigation and display
- Working with Clips in the Viewer
- Playing clips
- JKL Keys: The Way to Move
- FCP 7 Update: Multi-Touch Gestures Support
- Other ways to move: jogging, scrubbing, and shuttling
- Navigating with Timecode
- FCP Protocol: Entering Timecode Numbers
- Working with In and Out Points
- Other Ways to Set In and Out Points
- About Subclips
- Marking Shortcuts
- FCP Protocol: Subclips Are Master Clips, Too
- Using Markers
- On the Fly: Working With Markers During Playback
- Adjusting the Viewer Display
- Changing magnification and window size in the Viewer or Canvas
- Wireframes in the Viewer
- Viewing overlays
- Viewing Title Safe and Action Safe boundaries
- Viewing Timecode overlays
- Viewing with different backgrounds
- Chapter 9: Basic Editing
- Basic Editing Overview
- Basic Editing Step-by-Step
- Many Ways to Make an Edit
- FCP Protocol: Three-Point Editing
- Specifying target tracks
- Moving the playhead
- FCP Protocol: Editing Multiple Tracks in Final Cut Pro.
- Using FCP's Many Edit Types
- Insert edit
- About Transition Edits
- Overwrite edit
- Replace edit
- Hate Your Edit? Do Undo
- What's a Backtime Edit?
- Fit to Fill edit
- Superimpose edit
- Deleting clips from a sequence
- Performing Edits in the Timeline
- Performing split edits
- Tips for Quicker Split Edits
- Shortcuts for Marking Sequence Edit Points
- Locating a Match Frame
- Basic Multiclip Editing
- On Peachpit.com
- Chapter 10: Editing in the Timeline and the Canvas
- Anatomy of the Canvas
- Editing controls
- Using the Canvas Window
- Anatomy of the Tool Palette
- Selection tools
- Edit tools
- View tools
- Image modifiers
- Keyframe tools
- Using the Tool Palette
- Anatomy of the Timeline
- Onscreen controls and displays
- Color coding in the Timeline
- Customizing Timeline Display Options
- Custom track layouts
- Timeline scaling and scrolling
- Best Zoom Shortcuts
- Navigating in the Timeline
- Positioning the playhead in a sequence
- Keyboard Shortcuts for Navigation
- Navigating with timecode in the Timeline
- About snapping in the Timeline
- Using markers in the Timeline and the Canvas
- FCP 7 Update: Smarter Markers
- Working with Timeline Tracks
- FCP Protocol: Lock vs. Target
- Mapping Timeline target track assignments
- FCP Protocol: Target Tracks
- Dragging Is Different
- Making a Timeline track invisible
- Preserving Render Files of Invisible Tracks
- Working with Items in the Timeline
- Selecting items in the Timeline
- Selecting items with the track selection tools
- Items you can select in the Timeline:
- Items you cannot select in the Timeline:
- FCP Protocol: Cut, Copy and Paste, and Auto-Select
- FCP Protocol: Auto-Select Protocol Summary
- Linking clips
- Merged Clips and Linking
- Using linked selection
- FCP Protocol: Linked Clips
- Moving Timeline clips.
- Finding and closing gaps.
