Sound Editing in Final Cut Studio
Audio producer Jeff Sobel is your guide to the only professional audio post-production application designed specifically for the Final Cut editor: Soundtrack Pro 3. Working seamlessly between Final Cut Pro and Soundtrack Pro, you’ll master audio restoration and clean-up, build and edit multitrack pr...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified]
Peachpit Press
2009
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| Edición: | 1st edition |
| Colección: | Apple Pro Training
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629023706719 |
Tabla de Contenidos:
- Cover
- Table of Contents
- Getting Started
- Lesson 1 Sound Editing Basics
- Understanding the Sound Editing Process
- Cleaning Dialogue
- Normalizing Audio
- Normalizing a Group of Clips
- Controlling Dynamic Range
- Separating Signal from Noise
- Controlling Audio Frequencies
- Correcting Highs and Lows
- Removing Hums
- Integrating Sound Effects
- Constructing Ambiences
- Editing Subframe Audio
- Enhancing the Scene
- Adding Music
- Lesson Review
- Lesson 2 Sound Mixing Basics
- Mixing in Final Cut Pro
- Fading In and Out
- Using Audio Keyframes to Fade
- Solo and Mute Controls
- Engaging the Button Bar
- Setting Audio Levels
- The Audio Mixer Window
- Setting Up Views in the Audio Mixer
- Mixing On the Fly
- Controlling Keyframe Frequency
- Resetting All Keyframes
- Creating Perspective
- Finishing Your Mix
- Mixing in Soundtrack Pro
- Sending to a Soundtrack Pro Multitrack Project
- Performing Basic Mixing Tasks
- Muting and Soloing
- Adding Fades
- Adjusting Levels
- Automating Level Changes
- Returning to Final Cut Pro
- Lesson Review
- Lesson 3 Getting to Know Soundtrack Pro
- Opening Sequences from Final Cut Pro
- Sending Sequences to Soundtrack Pro
- Exploring the Soundtrack Pro Editing Workspace
- Working with Panes
- Working with Tabs
- Using Window Layouts
- Setting Project Properties
- Setting the Sample Rate
- Working with Timecode
- Controlling Playback
- J-K-L Playback
- Moving Around the Timeline
- Positioning the Playhead
- Using the Scrub Tool
- Exploring the Track Header
- Volume and Pan
- Mute and Solo
- Returning to Final Cut Pro
- Lesson Review
- Lesson 4 Fixing Audio Files
- Getting Ready to Perform Audio Restoration
- Sending Audio Files to Soundtrack Pro
- Exploring the File Editor Project View
- Using the Global Waveform View
- Redrawing Waveforms.
- Analyzing an Audio File
- Zooming In on Problems
- Fixing the Problems Soundtrack Pro Detects
- Working with Actions
- Locating an Action
- Reordering Actions
- Removing Actions
- Reducing Noise
- Exploring Noise
- Setting a Noise Print
- Using the Reduce Noise Dialog
- Bypassing Noise Reduction to Hear Your Original Sound
- Adjusting the Noise Reduction Level
- Applying Noise Reduction
- Refining Noise Reduction Settings
- Rippling Your Changes to Final Cut Pro
- Using Soundtrack Pro Scripts to Speed Up Your Work
- Lesson Review
- Lesson 5 Editing in Frequency Spectrum View
- Using Frequency Spectrum View
- Exploring the Frequency Spectrum View
- Linear Versus Logarithmic Scales
- Controlling the Spectrum
- Setting the Frequency Range
- Adjusting the Spectrum Power Controls
- Adjusting View Color Scheme
- Resetting the Frequency Spectrum View
- Working with Frequency
- Removing Frequencies
- Finishing Up
- Lesson Review
- Lesson 6 Recording in Soundtrack Pro
- Opening a Multitrack Project
- Using the Timecode HUD
- Working with Tracks
- Creating Tracks
- Reordering Tracks
- Deleting Tracks
- Naming Tracks
- Locking Tracks
- Setting Up for Recording
- Choosing a Track to Record
- Choosing a Recording Input
- Choosing a Channel Configuration
- Adjusting the Channel Setting
- Displaying Recording Settings in the Track Header
- Recording a Single Take
- Choosing a Recording Destination
- Arming a Track for Recording
- Setting a Recording Level
- Resetting the Peak Indicator
- Recording a Take
- Collecting the Project
- Using Punch Recording
- Lesson Review
- Lesson 7 Editing Dialogue
- Using Soundtrack Pro's Editing Tools
- Using the Selection Tool
- Using the Blade Tool
- Deleting Clips
- Using the Timeslice Tool
- Arranging Clips
- Disabling Snapping Mode
- Moving Clips in a Single Track.
- Nudging Clips Frame by Frame
- Adjusting Clip Duration
- Setting the Default Time Stretch Algorithm
- Truncating Overlapping Clips
- Blending the Rerecorded Dialogue into the Scene
- Creating a Cycle Region
- Adjusting Track Volume
- Using Actions to Adjust Clip Volume
- Working with Ambient Noise
- Lesson Review
- Lesson 8 Automated Dialogue Replacement Using the Multitake Editor
- About Multitake Editing
- Setting Up for Multitake Editing
- Creating a Guide Take
- The Multitake Editor
- Converting a Clip into a Multitake Clip
- Naming Takes
- Cycle Recording in the Multitake Editor
- Deleting a Take
- Adding a Prerecorded Take
- Reordering Takes
- Auditioning Takes
- Slipping Takes
- Creating a Composite Take
- Splitting Takes
- Selecting Takes
- Using Transitions
- Adding Transitions
- Working with Fades
- Lesson Review
- Lesson 9 Spotting Sound Effects
- Setting Up for Spotting
- Exploring the Bin and the Browser
- Previewing Files in the Bin
- Opening the Browser
- Locating Files in the Browser
- Adding Browser Files to Your Project
- Using the Multipoint Video HUD
- Spotting with the Multipoint Video HUD
- Three-Point Edits
- Using the Search Tab to Find and Spot Sound Effects
- Setting the End of Project Marker
- Additional Practice
- Lesson Review
- Lesson 10 Scoring Using Loops
- Setting Up for Music Production
- Switching the Project to the Beats-Based Ruler
- Searching the Apple Loops Library
- Opening the Search Tab
- Looping vs. Non-looping Files
- Using Snapping to Place Clips in the Timeline
- Setting the Tempo of the Project
- Resizing Looping Files
- Creating an Original Score Using Apple Loops
- Using Crossfades
- Choosing the Fade Type
- Using Markers to Set Tempo
- Using the Master Tempo Envelope
- Adapting Tempo to Onscreen Video Cues
- Lesson Review.
- Lesson 11 Advanced Mixing Techniques
- Preparing for Mixing
- Naming Submixes
- Routing Tracks to Submixes
- Mixing the Project
- Adding Real-Time Effects to Mixer Tracks
- Using Voice Level Match
- Blending Music and SFX
- Using Busses and Sends
- Creating a Bus
- Naming Busses
- Working with Effects on Busses
- Using Sends
- Setting up for Surround Mixing
- Returning to Final Cut Pro
- Lesson Review
- Lesson 12 Conforming Multitrack Projects
- Working in Parallel
- Importing Changes from Final Cut Pro
- Sending the Revised Edit to Soundtrack Pro
- Conforming Projects
- Reviewing Changes
- Viewing Clip Details
- Approving Changes
- Filtering, Sorting, and Grouping Clips
- Finishing
- Lesson Review
- Glossary
- Media.
