The Healthy Edit Creative Editing Techniques for Perfecting Your Movie
How to fix problems in a film or TV show in the editing room.
Otros Autores: | |
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Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
London :
Routledge
2017.
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Edición: | 1st edition |
Materias: | |
Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628195806719 |
Tabla de Contenidos:
- Cover; The Healthy Edit; Copyright; Dedication; Contents; Foreword; Acknowledgments; Introduction; Chapter 1. Prescriptions for Success; Strong Medicine; The Film Doctor; The Editor; Principles of Filmic Medicine; Cardiology; Genetics; Anatomy; Psychiatry; Surgery; Instruments; Bedside Manner; Chapter 2. Mastering the Art of Film Editing; Heart of the Matter; The Scalpel; The Great Experiment of Dr. Kuleshov; Dynamic and Continuity Editing; The Rules; Match Action; Cut on Action; Let the Camera Settle before Cutting; Create Visual Bridges; Don't Cross the Line; Maintain Eyelines
- Vary the CutsCuts Should Be Motivated; Cut Before (or After) People and/or Objects Enter the Frame; Pay Attention to Physical Continuity; Respect the Rule of Three; Chapter 3. The Film Doctor Is In; The Profession; The Approach; What Is the Scene About?; Filling the Gaps; Who Is the Scene About?; What Does the Audience Learn from this Scene?; Further Diagnosis; Wrestling with Material; When Poisons Are Medicines, Accidents Are Intentions; Chapter 4. The Instruments; Linear and Nonlinear Editing Systems; In Praise of the Physical Body; An Editor's Tools; Medieval Medicine: The Moviola
- European Renaissance: The FlatbedThe Modern Revolution: Nonlinear; Early Electronic Systems; The Mouse That Roared; The Edit; The Frame Matters; One-Stop Shopping; You Must Remember This; Chapter 5. Alternative Medicine; Nontraditional Treatments; The Match Cut; Continuity Errors; The Goodies; Off-Camera and Off-Track; Chapter 6. Genre Editing Styles I; Expectations Posed by Genre; Conventions; Crossing Genres; The Ritual Object; Expectations; The Western Rides into the Sunset; Science Fiction and Fantasy; Visual Effects; Computer-Generated Images; Compositing; Motion Capture
- Chapter 7. Genre Editing Styles IIThe Comedy; Surf the Laughter; Sight Gags; Romantic Comedy; Action Adventure; Guideposts; Crank; Emphasizing an Action; Chapter 8. Genre Editing Styles III; The Horror Film; Blood Suckers; The Thriller and Mystery; Family Films; The Documentary; Playing with Blocks; The Auteur Editor; Chapter 9. Internal Medicine; Coverage; The Master Shot; The Establishing Shot; The Wide Shot; The Medium Shot; The Close-Up; The Over-the-Shoulder Shot; The 2-Shot; The Reverse Angle; The Insert Shot; Sync; From Chaos to Order; Finding Order; Story Order; Reducing Bloat
- The GapExaminations; The Puzzle; Saved in the Editing Room; Shot List; Chapter 10. Surgery; What Goes and What Stays; Practical Considerations; Trimming for Health; Tarantino and Time; The Lift; The Way of the Lift; Lift and Separate . . . or Not; Chapter 11. Psychiatry of Character Disorders-Part I; Dialog; Subtext; The Overlap; Exposition Infection; Show, Don't Tell; New Territory; Chapter 12. Psychiatry of Character Disorders-Part II; Performance; Tracking the Beats; Substitution; The Cutaway; Words Like Skin Tags; Improvisation; Bingeing; In Good Shape; Chapter 13. Genetics
- Story Problems Inherent in the Screenplay