Voice & vision a creative approach to narrative film and DV production
Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and dig...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press
c2007.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627981406719 |
Tabla de Contenidos:
- Cover; Voice & Vision: A CREATIVE APPROACH to Narrative Film and DV Production; Copyright; Contents; Acknowledgments; Photograph and IllustrationCredits; Introduction; FILM AS A COLLABORATIVE ART FORM; FILMMAKING AND TECHNOLOGY IN THE 21ST CENTURY; TEACHING AND LEARNING FILMMAKING; PART I DEVELOPING YOUR FILM ON PAPER; CHAPTER 1 From Idea to Cinematic Stories; FINDING AN IDEA; FROM AN IDEA TO A STORY; NARRATIVE BASICS 1: CONFLICT-ORIENTED DRAMA; SHORT FILM STORIES; NARRATIVE BASICS 2: OTHER DRAMATIC QUESTIONS; There Are No Rules; IDEAS WITHIN LIMITATIONS; CHAPTER 2 The Screenplay
- STAGES OF SCRIPT DEVELOPMENTConcept; Treatment; Author's Draft; Shooting Script; FORMATTING THE AUTHOR'S DRAFT SCREENPLAY; Elements of an Author's Draft Script; General Screenwriting Principles; SCREENPLAY LANGUAGE AND STYLE; Visual Writing, Character, and Action; Working with Dialogue: Revealing Emotions, Not Announcing Them; REWRITING; CHAPTER 3 The Visual Languageand Aesthetics of Cinema; SHOTS, SEQUENCES, AND SCENES; THE FRAME AND COMPOSITION; Dimensions of the Frame; Shot Composition and the Graphic Qualities of the Frame; Camera Angles; Creating New Frames and Aspect Ratios
- THE MOVING FRAMECamera Moves; The Moving Frame and Perspective; Motivation and the Moving Camera; CHAPTER 4 Organizing CinematicTime and Space; SINGLE CAMERA PRODUCTION AND THE CONTINUITY SYSTEM; PRINCIPLES OF CONTINUITY STYLE; Continuity of Mise-en-scène; Continuity of Sound; Continuity of Performance, Actions, and Placement; Spatial Continuity and the 180° Principle; 20mm/30° Rule; Cutting on Action; SCENE STRATEGIES: PUTTING CONTINUITY TO USE; Two-Person and Person/Object Interactions; Coverage; Multiple Lines of Action; Creating Point of View; Group Interactions
- Moving a Person through SpaceMoving People through Space: Following orConverging; Parallel Action Sequence; STYLE OUTSIDE THE CONTINUITY SYSTEM; CHAPTER 5 From Screenplay to Visual Plan; THREE TOOLS FOR PRE-VISUALIZATION; The Shooting Script; Overhead Diagrams; Storyboards; It's Only on Paper, Not Written in Stone; THE DIRECTOR AND PRE-VISUALIZING: A METHOD; The Big Picture; The Details; Back to The Big Picture; PRE-VISUALIZATION AND COLLABORATION; THE SHOT LIST: FROM VISUAL PLAN TO PRODUCTION PLAN; Creating a Shot List; DAY-TO-DAY PRODUCTION SCHEDULING; PART II PREPARING FOR PRODUCTION
- CHAPTER 6 Preparing for ProductionLINE PRODUCING AND THE CREATIVE PROCESS; Art Direction; Location Scouting; The Location Technical Survey; Costumes and Props; BUDGETING YOUR FILM; Film Length and Shooting Ratio; Shooting Days; Workflow and Budgeting; Facilities, Equipment, and Supplies; Personnel (Cast and Crew); Hidden Costs; CHAPTER 7 The Cast and Crew; THE PRODUCTION CREW; Production Departments; The Principal Production Crew: Creative Core; Crew Meetings and Communication; Being a Crew Member; ON-CAMERA TALENT; Finding an Actor; Auditions; The Actor as Creative Collaborator; Rehearsals
- Working with Extras
