Rotoscoping techniques and tools for the aspiring artist
Master what it takes to make your rotoscoping and digital painting blend seamlessly into each shot. Through illustrious four color presentation, the book features step-by-step instruction on the artistic techniques of rotoscoping and digital painting with lessons on:*Articulate mattes*Digital paint...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, Mass. :
Elsevier/Focal Press
2011.
|
| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627863306719 |
Tabla de Contenidos:
- Cover; ROTOSCOPING: Techniques and Tools for the Aspiring Artist; Copyright; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; 1 ORIGINS OF ROTO; 1.1 Origins of Roto; 1.2 Modern Roto; 2 DEFINING THE TERMS; 3 ROTOSCOPING SOFTWARE; 3.1 Roto Tools; 3.2 Keyboard Shortcuts; 3.2.1 Creating Spline/Type; 3.2.2 Editing Controls; 3.2.3 Timeline Controls; 3.2.4 Transformation (Object or Sub-Object); 3.2.5 Viewer Controls; 3.3 Silhouette; 3.3.1 User Interface; 3.4 After Effects; 3.5 Mocha; 4 PRE-SHOP WARM-UP; 4.1 Establish Specifics; 4.1.1 Shot Length; 4.1.2 Define the Focus Object; 4.1.3 Matte Usage
- 4.2 Edge and Shape4.2.1 Multiple Shapes; 4.2.2 Repeating Shapes; 4.3 Positive Space; 4.4 Motion Paths; 4.5 Keying; 4.6 Review; 5 KEY FRAMING TECHNIQUES; 5.1 Timeline Key Framing; 5.1.1 Bifurcation; 5.1.2 Incremental Key Frames; 5.2 Motion-Based Roto; 5.3 Approaching the Shot; 5.4 Review; 5.5 Relevant CD Files; 6 CREATING SPLINES; 6.1 Organizing the Comp; 6.2 Review; 7 EDGE CONSISTENCY; 7.1 Transitioning Between Shapes; 7.2 Review; 8 OBJECT MODE TRANSFORMS; 8.1 Pivot Points; 8.1.1 Bounding Boxes in After Effects; 8.2 Individual Points; 8.2.1 Referencing Point Location; 8.3 Review
- 9 INTERPOLATION AND LINEAR MOVEMENT9.1 Key Frame Placement and Types; 9.2 Review; 10 BLUR; 10.1 Motion Blur; 10.2 Transitioning Between Shapes with Motion Blur; 10.3 Review; 10.4 Relevant CD Files; 11 CHECKING YOUR MATTES; 11.1 Jitter; 11.2 Review; 12 TRACKING AND ROTO; 12.1 Tracking and Scale; 12.2 Tracking and Rotation; 12.3 Multiple Transforms; 12.4 Corner Pinning; 12.5 Averaging Tracks; 12.6 Stabilizing Footage; 12.7 Review; 12.8 Relevant CD Files; 13 ROTO AND THE HUMAN FIGURE; 13.1 Remember Your Anatomy; 13.1.1 Isolating Extremities; 13.1.2 Hands; 13.2 Joints; 13.2.1 Overlap
- 13.2.2 Fixer Shapes13.3 Review; 13.4 Relevant CD Files; 14 FACES AND HEADS; 14.1 Review; 14.2 Relevant CD Files; 15 HAIR (OR: BALD PEOPLE ARE GREAT); 15.1 Base Shapes; 15.2 Standouts; 15.3 Minimum Level of Detail; 15.4 Motion Paths and Motion Blur; 15.5 Review; 15.6 Relevant CD Files; 16 HUMAN MOVEMENT; 16.1 Big Human Movements; 16.2 Subtle Human Movement; 16.3 Tracking and the Human Figure; 16.4 Review; 16.5 Relevant CD Files; 17 CLOTHING; 17.1 Shape Breakdown; 17.2 Consistent Point Placement; 17.3 Secondary Motion; 17.4 Review; 17.5 Relevant CD Files; 18 KEEPING FOCUS AND GETTING WORK
- 18.1 Bad Habits18.2 Estimating a Job; 18.3 Pacing Yourself; 18.4 Getting (and Keeping) a Job; INDEX
