Make the cut a guide to becoming a successful assistant editor in film and TV
First published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Elsevier / Focal Press
c2010.
|
| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627815506719 |
Tabla de Contenidos:
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; Dedications; Acknowledgments; Preface; Part 1 Getting Started; Chapter 1 On Your Way; 1.1 Find an Assistant; 1.2 Know Your Tools; 1.3 Basic Setups; 1.4 Bank It; 1.5 Move to Hollywood; 1.6 Create Your Resume; 1.7 Your Favorite Five; 1.8 Find the Job; 1.9 Prepare for the Interview; 1.10 The Interview; Chapter 2 Before Your First Day on the Job; 2.1 Be Prepared; 2.2 Script Elements; 2.3 Scene Breakdown; 2.4 Schedule for Elements; 2.5 Continuity; 2.6 Wall Continuity; 2.7 Measurement Charts; 2.8 SFX; 2.9 MX: Needle Drops and Score
- 2.10 Playback: MX and PIX2.11 VFX; 2.12 Stock; 2.13 Order the Supplies; Chapter 3 Your First Day; 3.1 Setting Up the Project Window; 3.2 Settings; 3.3 Import FX and MX; 3.4 Binders and Paperwork; 3.5 Spec and Format Sheets; 3.6 Meet the Crew; Chapter 4 Your Second Day; 4.1 Importing Dailies; 4.2 Interpreting Paperwork; 4.3 Watch the Dailies; 4.4 Continue to Digitize or Begin to Organize; 4.5 Setting the Bin; 4.6 Communicating; 4.7 Archiving as You Go; 4.8 MX and Needle Drop Bins; 4.9 When Dailies Are Completed; Chapter 5 Edit and Distribute the Cut; 5.1 Editor's Cut; 5.2 Taking Notes
- 5.3 Recording Temp ADR5.4 Preserving Copies; 5.5 Lifts; 5.6 Scene Timings and Total Measurements; 5.7 Building a Cut; 5.8 Cutting the Recap; 5.9 Shipping; 5.10 Director's Cut; 5.11 Privacy in the Editing Room; 5.12 Producer's Cut; 5.13 The Locked Show; Chapter 6 Get Ready to Online; 6.1 Create a Locked Sequence Bin; 6.2 Remove Add Edits and Check for Jump Cuts; 6.3 Format the Locked Sequence; 6.4 Complete the Format Sheet; 6.5 Create the Locked Continuity and MX Sheet; 6.6 Prepare the ADR List; 6.7 Prepare the VFX Notes; 6.8 Reassign Tracks; 6.9 Create the Chase Cassette (DVD)
- 6.10 Create the PIX and Audio Edit Decision Lists (EDLs) and the OMFs6.11 Prepare for SFX and MX Spotting; 6.12 Duplicate the Script and Sound Reports; Chapter 7 Assisting Protocols for Documentaries; 7.1 Elements of a Documentary; 7.2 Sort the Footage; 7.3 Create a Radio Cut; 7.4 Stock Footage; 7.5 Stills; 7.6 Titling; 7.7 Use of SFX and MX; 7.8 Finishing the Documentary; Chapter 8 Assisting Protocols for Reality Shows; 8.1 Dailies; 8.2 Basic Management; 8.3 Work Space Synchronization; 8.4 Offline and Online Management; 8.5 Digitizing and Organizing Dailies; ... Step 1: Stacking
- ... Step 2: Overlapping Clips... Step 3: Check for Timecode Drift; ... Step 4: Synching Each Camera to the Base Camera on V1; ... Step 5: Set Auxiliary TC for the Base Camera; ... Step 6: Adjust the Aux TC for the Rest of the Cameras; ... Step 7: Add Edits at Every Place on the Sequence Where a Clip Starts or Stops; ... Step 8: Creating the Subclips from the Sequence; ... Step 9: Create the Multigroup by Auxiliary TC; 8.6 Project Organization; 8.7 Outputs; 8.8 Things to Check Before Outputting a QT or DVD; 8.9 QuickTimes; 8.10 DVD Outputs; 8.11 Locking; 8.12 Up-Rezzing; 8.13 Audio for OMF
- 8.14 Prepping for Online
